» Patricia A. Suchy. 13 Ways to Kill a Mockingbird
» Aimee Meredith Cox, Tiye Giraud, Anita Gonzales, Petra Kuppers, Carrie Sandahl,
   and Jay Steichmann. Anarcha-Anti-Archive
» Karma Chávez. Breaking Trances and Engaging the Erotic: The Search for Queer Spirituality
» Jason Zingsheim. Resistant Privilege and (or?) Privileged Resistance: Navigating the Boxes of Embodied Identity
» Faust Radio. Operation Free Cheese
» Jennifer L. Frietag. Bible Beater/Bra Burner
» David Payne. review of Kenneth Burke on Shakespeare (edited by Scott Newstok)

» Daniel Makagon. I Love Livin' in the City [editor's introduction] (or pdf)
» Cristina Moretti. Places and Styages: Narrating and Performing the City in Milan, Italy (or pdf)
» Luke Dickens. "Finders Keepers": Perfroming the Street, the Gallery and the Spaces In-between (or pdf)
» erin daina mcclellan. Making Sense of the City: Place, Space, and Rhetoric in Portland's Pioneer Courthouse Square (or pdf)
» Joan Faber McAlister. Unsafe Houses: The Narrative Inversion of Suburban Morality in Popular Film (or pdf)
» Anders Lund Hansen. Space Wars & Walking through a Liquid Forest of Symbols (or pdf)
» Richard G. Jones, Jr. & Christina R. Foust. Staging and Enforcing Consumerism in the City: The Performance of Othering on the 16th Street Mall (or pdf)
» Stephen Rohs. “Full of Proud Memories of the Past, on which Irishmen Love to Dwell”: Irish Nationalist Performance and the Orange Riots of 1871 (or pdf)
» David J. Eshelman. A Taste of Buffalo: Staging the Lives of U.S. Cities (or pdf)
» Renee Human. Flowing Through the City: An Urban Ethnography

» Craig Gingrich-Philbrook & Violet Juno. Song of the Earmice. [audio epigraph]
» Michael LeVan. Sounding Off On Sound. [editor's introduction] (or pdf)
» Tim Lawrence. Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92. [monograph] (or pdf)
» Sarah Kanouse. Don't Mourn [flash installation]
» Cornelia Gräbner. “…where there is a lot of sound…”: Resistance, Subjectivity and the Trilanguaging of the Media of Enunciation in Manu Chao’s Clandestino and Próxima Estación… Esperanza [essay] (or pdf)
» Mischa Twitchin. The Dreamwork of Hearing in the Age of the Mechanical Reproducibility of Secrets [recording-essay]
» Evette Hornsby-Minor (film by Rachel Ramist). If I Could Hear My Mother Pray Again: An Ethnographic Performance of Black Motherhood [video]
» Susan Gage. Term-Limited [audio]
» David Darius Jiri Sander Scheidt. DJ Parasite: An [au]/[o]-tophongraphic Sound Track [audio]
» Serge Cardinal. Radiophonic Performance and Abstract Machines: Recasting Arnheim's Art of Sound [essay] (or pdf)
» Jackson B. Miller. Performing Pennsylvania Hall: Aural Appeals in Angelina Grimké’s Abolitionist Discourse [performance & pedagogy] (or pdf)
» Karin Bijsterveld. review of The Noises of American Literature, 1890-1985: Toward a History of Literary Acoustics (Philipp Schweighauser) [book review]
» Michael LeVan. review of Radio Territories (edited by Erik Granly Jensen & Brandon LaBelle) [book review]

Dean Scheibel & Megan Desmond. Sorority Rush as Lust [essay] » or pdf
Dale Smith. 9 From Black Stone [poems]
     (Rain Brings Green)
     (K Watches TV)
     (The Cat Eats)
     (Hoa Enters the Kitchen)
     (Step into Step)
     (Down with Fever)
     (Easter Morning Rain)
     (Drying Diapers)
     (You're a Dream)
Dustin Goltz. [Insert Scholarly Title Here]: Negotiating Contested Identities Through X-Communication.
      [performance & pedagogy] » or pdf
Isabella Drzemczewska Hodson. review of The Aesthetics of the Oppressed (Augusto Boal)
Benjamin Shepard. review of Electoral Guerilla Theatre: Radical Ridicule and Social Movements (L. M. Bogad)
Alison Mader. review of Electoral Guerilla Theatre: Radical Ridicule and Social Movements (L. M. Bogad)

Sara McKinnon. Mirrored Asylum: Reflections on Naming, Subjectivity, and Home in Ireland [essay] » or pdf
Joshua Gunn, with Crystal Watson. On Answering Machines and the Voice Abject [audio essay—requires Flash]
Laura Winton. Love, Longing, Language, Lust: An Erotic Daydream Post-September 11th [script] » or pdf
Laura Winton. Loving and Longing in Performance: Notes on Storying and Staging [essay] » or pdf
M. Heather Carver. Methodology of the Heart: A Performantive Writing Response [essay] » or pdf
John T. Warren. Editor's Introduction: Performance and Pedagogy [frame] » or pdf

Terry Galloway, Just the Funny Bits [video of performance selections]
Jill Taft-Kaufman, Perform/Ability: Terry Galloway's Just the Funny Bits [essay]
Carrie Sandahl, More than Just Funny: Reading Galloway from a Disability Perspective [essay]
Joanne Gilbert, A Terrible Beauty is Born: Comic Critique in Terry Galloway's Just the Funny Bits [essay]
Terry Galloway, Afterword/Forward [notes & reflections]
Bruce Henderson, "Always Wear Your Pearls": Responding to Galloway's Responders [essay]
Laura Winton, The City [poem & audio performance]
Laura Winton, Richard Foreman is Angry [interview]
Elyse Lamm Pineau, Shadowboxing: Myths and Miniatures of Home [performance video]
Elyse Lamm Pineau, Shadowboxing: Myths and Miniatures of Home [performance script]
Elyse Lamm Pineau, Homesteading: At Play in the House of Wood and Wonder [essay/artist statement]

Craig Gingrich-Philbrook, Cups (Sufficiency Enigma, 1999) [performance script]
Keith C. Pounds, "Like a Form of Justice": Disrupting Heteronormativity in Craig Gingrich-Philbrook's Cups [essay]
Ronald J. Pelias, Insufficiency Enigma: Audiencing Craig Gingrich-Philbrooks' Cups [essay]
Craig Gingrich-Philbrook, Why I Don't Memorize, Exactly: Autoperformance as Elaborative Praxis [essay]
Cheyanne Nesgoda Vanderdonckt, Woman Enough [audio essay]
Darren C. Goins, Back On the Path and Searching For Myself in the Open [two poems]
Donna Marie Nudd, Feminists as Invisible Dramaturgs: A Case Study of Terry Golloway's Lardo Weeping [essay]

Elizabeth Bell, Social Dramas and Cultural Performances: All the President's Women [essay]
Jason Del Gandio and Robert Israel, Peforming the Dum' Dum Doctrine: A Nonrepresentational Account of Bush's      Expansionism [performative essay and illustrations]
Elizabeth Whitney, Flag Football [audio performance]
Bernardo Alexander Attias and Almetria Magdelena Vaba, Lost Lust: The Performative Remainder [performance      script via detournement]
Robyn Diner, Dress/Talk/Trash: Trailer Park Chic, Post-Punk-Pop and My Body of Pedagogy [notes on teaching] Robert Avery, Review of Appropriating Blackness: Performance and the Politics of Authenticity, by E. Patrick      Johnson [book review]

Jason Hedrick, for jerry on the mountain near election day [poem]
Craig Gingrich-Philbrook, flag [performance, video]
John T. Warren, watching "flag" and my relative disinteret of generic clarity [essay]
Jason Hedrick, speaking freely (fragments 1-4, fragments 5-8, fragments 9-12) [performance script]
Marcyrose Chvasta, the engastrimyth squeaks [audio essay]
Keith C. Pounds, recognition (introduction, starbucks, everyday burnings) [performance script selections]