Issue 13.2 is a general issue. Among the contributions are essays, videos, installations, performance criticism, case studies, contributions to two of our recurring series (the city; performance & pedagogy), and book reviews.

Issue 13.1 collects video essays by Paul Edwards created between 2004 and 2016. The issue includes five video essays and a set of annotations. The issue is curated, with an introduction, by David P. Terry.

Issue 12.5 is a special issue on "Terror and the Tour" edited by Andrew Wilford, Jonathan Skinner, and Paul Antick. Among the contributions are essays, images, an installation, a video essay, and a short film.

Issue 12.4 is a double-sized general issue. Among the contributions are performance scripts, full-length and micro plays, experimental performance projects, images, audio, video, essays, contributions to three of our recurring series (digital horizons, the city, and performance & pedagogy), and book reviews.

Issue 12.3 is a special issue, “On Resistance and Stillness,” edited by Serap Erincin. Among the contributions are essays, videos, artist’s statements, documentaries, position papers, photo essays, and a virtual photo exhibition.

Liminalities is an open-access peer-reviewed journal for performance studies, theory and praxis. Our goal is to embrace the possibilities for presenting work in performance studies (broadly construed) by exploring and exploiting the "staging" potential of digital media. We publish essays, aesthetic works, digital media projects, artist pages, performance scripts, themed forums, documentaries, reviews, interviews, works about performance in urban environments, and works about pedagogy & performance. Follow the journal information link for information about submitting projects and essays to Liminalities.

quick links

» recurring series: The City
» recurring series: Digital Horizons
» recurring series: Performance & Pedagogy

» books for review (updated May 2016)

» instructions for authors

Liminalities is open access and open source.

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