“…where there is a lot of sound…”: Resistance, Subjectivity and the
Trilanguaging of the Media of Enunciation in Manu Chao’s Clandestino and Próxima Estación… Esperanza
by Cornelia Gräbner




Creative Commons License
This work is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License..