Liminalities will publish reviews of any books relevant to performance studies, broadly construed. If you are interested in reviewing one of the books listed below, please send a note of inquiry to the book review editor, Leila Nashef (UHI Inverness): lnashef@gmail.com

If interested in reviewing a title not listed below, send a note of proposal to the editor. Publishers should contact Leila Nashef at lnashef@gmail.com to list titles.



recent titles received for review:
(updated February 2026)

Drama for Schools and Beyond: Transformative Learning Through the Arts (2025), ed. by Kathryn Dawson, Beth Link, Stephanie Cawthon and Lara Dossett

Theatricality Beyond Disciplines (2025), by Amin Erfani

Vernacular Theatre (2025), by Jonathan Petherbridge

Schechner Plays (2025), by Richard Schechner

Beyond the Moment: Connecting Histories of Latinx Performance and Resistance (2026), by Irene Mata

Making Movement Modern: Science, Politics, and the Body in Motion (2026), by Whitney E. Laemmli

Puto: Plays (2026), by Ricardo A. Bracho, ed. by Jennifer S. Ponce de León, Richard T. Rodríguez, and Randall Williams

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (2026), by Danielle Bainbridge

The Cambridge Companion to Stand-Up Comedy (2025), ed. by Oliver Double

Sara Allgood's Memories: Untold Stories of the Abbey Theatre and Early Hollywood (2025), by Elizabeth Brewer Redwine

Replaying Marc Anthony: Sonic, Political, and Cultural Resonances (2025) by Frances R. Aparicio

My Studio is a Dungeon is the Studio: Writings and Interviews, 1983-2024 (2025) by Nayland Blake

Mavericks of Style: The Seventies in Color (2025) by Uri McMillan

Digital Access to the Performing Arts (2026) by Magda Romanska

Lessons in Drag: A Queer Manual for Academics, Artists, and Aunties (2025) by Kareem Khubchandani

Postmodernism in Arthur Miller's Long-Late Period (2025) by Ciaran Leinster

Molla Nasreddin: The Making of a Modern Trickster (2025) by Janet Afary & Karman Afary







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